Posted on November 19, 2008 - by admin
Meiko
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Last March, Tom and I had the amazing opportunity to meet this wonderful singer/songwriter at the Hotel Cafe Tour here in Chicago. Although I was quiet familiar with the Hotel Cafe musicians i.e. Priscilla Ahn, Cary Brothers, Joshua Radin, Ingrid Michealson, Racheal Yamagata, etc, because I tend to follow their line-up religiously. This was actually the first time I had ever had the opportunity to experience Meiko’s music and Tom and I both agreed she was one of our favorites of the night. Her songs were good, she pretty voice, and she was really cute.
Anyways, last September she finally released her self-titled album, and her songs have been poping up everywhere, i.e. Grey’s Anatomy, The Cleaner, Moonlight, and 90210.
Although armed with the requisite trappings of a singer/songwriter - fingerplucked guitar chords, lovelorn lyrics, and a chic café vibe — Meiko brings something different to the coffee table, mixing wistful pop/rock tunes with toy pianos, muted trumpet solos, and the occasional programmed drumbeat. Her vocals take the spotlight on nearly every number, alternating between raspy whispers and a strong, radio-ready belt. There’s a Southern accent buried somewhere in there, too — a product of her childhood spent in rural Georgia — but Meiko creates her own geography with songs about low-rent apartments, Hawaii, and lovers’ arms. Breezy handclaps and a singalong chorus turn “Boys with Girlfriends” into the album’s most commercial track, yet Meiko’s real strength lies in the less conventional numbers: “Reason to Love You,” which features a cooing, hiccupping chorus; “Piano Song,” an indie pop exercise in cuteness; and “Hiding,” where minor-key progressions and a lone keyboard riff combine to form a rainy day ballad. Perhaps most impressive is “Said and Done,” a nocturnal song that pairs Meiko’s vocals with the orchestration of a John Alton film noir. When Meiko audibly exhales during the chorus, her breath sounds like a snare hit, and it’s nuances like that — smart, slyly inconspicuous tricks — that elevate her beyond the realm of ordinary songwriters.
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when i first met you i knew you were the one
till you took me home and i met her
she had your boxers on
she was listening to your song
and i thought right then that you had everything
but i knew
she was jealous from the start
yeah i knew
she was jealous from the start
‘cus i know better not to be friends with boys with girlfriends
oh i know better than that i know better
you play the victim and i’ll be the bad guy
i know better than that, i know better
(oh oh oh oh oh oh X 2)
we started hanging around after 9
i couldve sworn that i was yours
you looked at me and said
its a little too late for bed
we went to a hotel and
talked about everything
but i knew
she was jealous from the start
yeah i knew
she was jealous from the start
cos i know better not to be friends with boys with girlfriends
oh i know better than that i know better
you play the victim and i’ll be the bad guy
i know better than that, i know better
(oh)
what she did to us was tragic
oh oh oh
and i have to do what’s right
oh oh oh
what we had was really magic
oh oh oh
but i have to get what’s mine
what’s mine
i’ll get what’s mine
and you’ll get yours
‘cus i know better not to be friends with boys with girlfriends
oh i know better than that i know better
you play the victim and i’ll be the bad guy
i know better than that, i know better























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